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Ampersands

by Cutting Head

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about

Ampersands is an on-going, ever-growing, mixed bag project documenting selections from Cutting Head's one-take guitar tracks. All ampersands are raw improvisations and have not been mixed outside of their original audio capturing (sans stabilizing EQ levels).

Track 1 recorded at The In Arts Northwest in Seattle, WA on an unknown winter date in 2010 w/ electric guitar.

Tracks 2 & 3 recorded at Bill Evans Studio in Seattle, WA on an unknown summer date in 2012 w/ electric guitar.

Track 4 recorded at 51st Estate Studios in Indianapolis, IN on July 28th 2008 w/ prepared acoustic guitar.

Track 5 recorded at Gallery 1412 in Seattle, WA on an unknown autumn date in 2013 w/ electric guitar & vocals.

Track 6 recorded at The Buffalo Haus in Seattle, WA on an unknown spring date in 2014 w/ acoustic guitar.

Track 7 recorded at Fort Flagler State Park in Washington State on an unknown August date in 2014 w/ acoustic guitar.

Track 8 & 9 recorded at Bow or Bang Studio in Bremerton, WA on an unknown winter date in 2014 w/ electric guitar & homemade 'Univibe' pedal.

Tracks 10, 11, & 12 recorded at Bow or Bang Studio in Bremerton, WA on an unknown July or August date in 2014. Track 10 was used as the guitar solo on "A Runlet Issue", Track 11 was used on "Envince Ictus Onset", and Track 12 was used on "Stimulus Saucer": all can be found on Cutting Head's TERRIFY TISSUE album.

Track 13 recorded at Bow or Bang Studio in Bremerton, WA on an unknown winter date in 2014. Sections of this track were used as the guitar solos on Cutting Head's "To Your Scattered Bodies A Go-Go".

Track 14 recorded at The Josephine in Seattle, WA on April 27th 2013 w/ electric guitar.

More tracks will be periodically added: please check back.

All tracks recorded by JL

Cutting Head is Justin, Shaun, Luke, & Bill

Additional Cutting Head releases can be had at:
cuttinghead.bandcamp.com

Cover art by Ralph Fudge

credits

released February 26, 2015

-><- Kallisti Recording Company does not directly represent any artists. We directly order that all correspondence meant for a specific artist is directly directed to that artist as a means to sequester any indirect confusion.

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Kallisti Recording Company Bremerton, Washington

To choose order over disorder or disorder over order is to accept a trip composed of both the creative and the destructive but to choose the creative over the destructive is an all-creative trip composed of both order and disorder.

Offered here are the seeds of captured audio moments salutary enough to grow a vine of heavenly experience which may confuse you to hell.

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